Zoe Yucong Wang
Zoe Yucong Wang
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BROKEN SUITE
for saxophone solo
dedicate to Jiaqi Zhao
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Saxophone: Jiaqi Zhao
I. Prelude
II. Allemande
III. Sarabande
IV. Gavotte
V. Minuet
VI. Cadenza
VII. Gigue
(scroll down to check the recording of VI & VII mov.)
VIOLIN CONCERTO NO.1
I. Moderato - Adagio - Moderato
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Violin: Wendy Toh
Conductor: Garrett Wellestein
Orchestra: ESSO
MONOCHROMES
piano miniatures
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Piano: Zoe Yucong Wang
Monochromes is a collection of pieces that are inspired by words from the post "32 Of the Most Beautiful Words In the English Language" on BuzzFeed.
https://www.buzzfeed.com/danieldalton/bob-ombinate?utm_term=.ntxvr48A4k#.sxzea70D7P
Aurora (n.) dawn.
Somnambulist (n.) a person who sleepwalks.
Petrichor (n.) the pleasant, earthy smell after rain.
Ephemeral (adj.) lasting for a very short time.
Syzygy (n.) an alignment of celestial bodies.
Limerence (n.) the state of being infatuated with another person.
Phosphenes (n.) the light and colors produced by rubbing your eyes.
Epiphany (n.) a moment of sudden revelation
Hiraeth (n.) a homesickness for a home you can't return to, or that never was.
Cromulent (n.) appearing legitimate but actually being spurious.
Oblivion (n.) the state of being unaware of what is happening around you.
Solitude (n.) a state of seclusion or isolation.
Defenestration (n) the act of throwing someone out of a window.
ENCORE PIECE
for violin and piano
dedicate to Dr. Robert Morris
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Violin: Shengming Liang
Piano: Zoe Yucong Wang
I.
The song that I came to sing remains unsung to this day.
I have spent my days in stringing and in unstringing my instrument.
The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.
The blossom has not opened; only the wind is sighing by.
I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.
The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.
I live in the hope of meeting with him; but this meeting is not yet. (No.13)
—— from "Gitanjali"
II.
How far are you from me, O Fruit?
I am hidden in your heart, O Flower. (No.86)
—— from "Stray Birds"
III.
The pet dog suspects the universe for scheming to take its place. (No.189)
I have my stars in the sky.
But oh for my little lamp unlit in my house. (No.146)
The bird wishes it were a cloud.
The cloud wishes it were a bird. (No.35)
Once we dreamt that we were strangers.
We wake up to find that we were dear to each other. (No.9)
—— from "Stray Birds"
THREE TAGORE SONGS
for high voice and piano
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Voice: Anders Namestnik
Piano: Zoe Yucong Wang
Text from Rabindranath Tagore
BLACKBIRD
for orchestra
II. Migration
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from 2017 UNMR
American Composer Orchestra
The documentary Le peuple migrateur directed by Jacques Perrin instigated my inspiration to write this piece. I was fascinated by its depiction of the movements of birds, and struck by the power of nature that dominates all creatures. During the writing process of the piece, I did not have any specific breed of bird in mind. Only after I finished it, one of my best friends suggested the title "Blackbird", not referring to the specific breed, but rather the bird that exists in the Ancient Chinese Mythology. The piece has two movements.
I. In the Plum Rain
from The Place He Lived
in memory of my rough collie "CARRY"
for Percussion Quartet
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DOMINOES
for marimba solo
commissioned by Museum of Play - Strong National Museum, Rochester NY
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Marimba: Oliver Xu
FIVE WRIGHT SONGS
for soprano, violin, percussion and piano
dedicate to my grandfather Kejiu Li, a veteran from Korean War
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Soprano: Sara Defranco
Violin: Shengming Liang
Percussion | Text speaking: Stella Perlic
Piano: Zoe Yucong Wang
Conductor: Justin Jaramillo
Text from James Arlington Wright
1. A Blessing (0'00'')
2. In Memory of My Horse David, Who Ate One of My Poems (3'22'')
3. A Dream of Burial (5'28'')
4. Trying to Pray (9'38'')
5. Milkweed (11'30'')
I. A Blessing
Just off the highway to Rochester Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more, they begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
II. In Memory of the Horse David, Who Ate One of My Poems
III. A Dream of Burial
Nothing was left of me
But my right foot
And my left shoulder.
They lay white as the skein of a spider floating
In a field of snow toward a dark building
Tilted and stained by wind.
Inside the dream, I dreamed on.
A parade of old women
Sang softly above me,
Faint mosquitoes near still water.
So I waited, in my corridor.
I listened for the sea
To call me.
I knew that, somewhere outside, the horse
Stood saddled, browsing in grass,
Waiting for me.
IV. Trying to Pray
This time, I have left my body behind me, crying
In its dark thorns.
Still,
There are good things in this world.
It is dusk.
It is the good darkness
Of women's hands that touch loaves.
The spirit of a tree begins to move.
I touch leaves.
I close my eyes and think of water.
V. Milkweed
While I stood here, in the open, lost in myself,
I must have looked a long time
Down the corn rows, beyond grass,
The small house,
White walls, animals lumbering toward the barn.
I look down now. It is all changed.
Whatever it was I lost, whatever I wept for
Was a wild, gentle thing, the small dark eyes
Loving me in secret,
It is here. At a touch of my hand,
The air fills with delicate creatures
From the other world.
FOUR SONGS OF HAIKU
for mixed chorus
Text by Kobayashi Issa (I-III) and Fuwa* (IV)
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I&IV
Eastman Chorole
II&III
soprano: Ekaterina Gorlova | Sara Defranco
alto: Alicia Rosser, Hannah Grace Kim
tenor: Sean McNeeley | Gabriel Sin Ho Nam
bass: Trevor Cook, Alan Cline
conductor: Sanders Lau
I. The Plum Tree Blossom
The plum tree blossoms,
The nightingale sings,
But I am alone.
II. Seasons
The snow is melting
And the village is flooded
With children.
In spring rain
A pretty girl
Yawning.
Summer night,
Even the stars
Are whispering to each other.
Windy fall,
There are the scarlet flowers
She likes to pick.
III. Napping at midday
Napping at midday,
I hear the song of rice planters
And feel ashamed of myself.
IV. On my way home
The earth is fragrant
With plum petals falling
On my way home.